✦ Start Here: What Is Moonlight Animals?
Moonlight Animals is a fictional band born in 1971 in Bayonne, New Jersey — five kids trying to make sense of the world through sound. Over two decades, they wrote strange, emotional albums. They toured basements and broke into the music scene all over the world. They loved each other in ways they could never quite say.
Prologue
A slow-burn queer love story between a repressed bassist and an autistic sound engineer, told across the rise and fall of a cult rock band from 1970s New Jersey.
In 1964, two boys live very different lives in the same Catholic high school in Bayonne, New Jersey. Thomas Monaghan is entering his senior year. He’s steady, quiet, already hardened by responsibility. The oldest child in an Irish Catholic family, he carries too much too young and keeps his emotions buried beneath a calm exterior. Albert Ostrowski is a 14 year old freshman. He’s shy, Polish, autistic, and alone. Raised by his widowed mother, he moves through the world quietly, unnoticed by most. But not by Tom. Tom notices. He offers small gestures. Rides home, a helping hand, a quiet kind of protection. And for Al, who’s only ever known distance or cruelty, those gestures are his lifeline. He doesn’t have the words for what he feels, but something gentle and painful takes root.
After Tom graduates, he doesn’t vanish. He lingers on the edges of Al’s life. He dated. Married. Had a daughter. They run into each other around town, they carry groceries, Tom watches from a distance as Al grows older and quieter. In March of 1968, Zofia falls seriously ill. It’s sudden. Violent. There’s a week in March where no one thinks she’s going to make it. Al stops coming to school. The entire school whispers.And Tom doesn’t say much. He just shows up. Brings soup. Stands awkwardly on the front step. Sometimes he doesn’t even knock, just leaves things by the door and walks away. When Zofia is finally released from the hospital, frail but alive, Tom helps Al bring her inside. Carries her bags. Fixes the door that sticks. Al doesn’t know how to thank him. So he doesn't. Tom never asks for it. And somehow that spring becomes a beginning.
By the early 1970s, they’ve settled into something steady. A quiet friendship that’s never had to be named. It started in 1968, in the hush of near-tragedy, when Tom began checking in just to see how Al was doing,bringing groceries, helping with errands, sometimes just sitting on the stoop beside him in silence. Years passed. But the habit never fully went away. Neither did Al.
Then Al starts coming by the apartment, helping with the record player, bringing Deanna colored pencils or picture books he thinks she’ll like. He becomes part of the quiet backdrop of Tom’s life. Familiar. Constant. He never stays long, but he's there, when things are soft and unguarded. Tom never talks about him to the guys. What they have is personal. Separate. It belongs to the space between Tom’s daughter and his quiet hours,not the band, not the noise.
And still, sometimes, Tom drops by Al’s apartment like he used to, the way he did after Zofia got sick. Only now, the visits feel different. Lighter. Not weighted with fear or uncertainty. Just a steady presence. Shared breath. A place to be. Sometimes Zofia is home, humming in the kitchen or listening to her stories. Sometimes she’s out visiting her church friends, wrapped in her shawl like armor. But she always smiles when she sees Tom. She always makes sure there’s tea. And Tom? He never stays long. But he keeps showing up. Enough to make it clear: He’s not checking in anymore. He’s just… there. Because he wants to be. One afternoon, Al mentions a new recording studio opening in Newark. Tom, divorced now and trying to rebuild something stable, tells him, “You’d be wasted anywhere else.” And he means it.
Later that year, when the band needs someone to help them cut their demo, Tom finally lets that quiet world brush up against the louder one. “I know a guy,” he says. “He’s good. He’s better than good.” In 1971,Tom brings him into the part of his life that plays out on bigger stages. The part that he’s trying to build with his friends. Tom is 25, newly divorced, carrying the weight of a life he tried to hold together. Al is 21, behind the soundboard, sharper than ever, but still hidden behind layers of restraint. He doesn’t expect Tom to look at him the way he does now.
That year, their relationship begins.
Al, who has quietly loved him for years, finally begins to let himself be seen.
And Tom, freshly divorced and aching, falls in love for the first time.